这是第一部关于格莱美®获奖音乐家、作曲家、演员和《纽约时报》畅销书作家Rick Springfield及其忠实粉丝群的专题纪录片。电影聚焦于一些普遍的人类欲望，例如与志同道合的朋友建立联系的重要性，以[展开全部]　这是第一部关于格莱美®获奖音乐家、作曲家、演员和《纽约时报》畅销书作家Rick Springfield及其忠实粉丝群的专题纪录片。电影聚焦于一些普遍的人类欲望，例如与志同道合的朋友建立联系的重要性，以及在成年人回忆起我们青春期无忧无虑的日子时创造新记忆的能力。这部电影强调了斯普林菲尔德与粉丝之间的独特联系，以及这种关系如何成为幸福、舒适和灵感的源泉。[收起部分]

该剧改编自莎拉·沃恩的同名畅销小说，聚焦英国特权阶层及其卷入其中的女性丑闻。原著小说讲述了一位雄心勃勃的威斯敏斯特政客的故事，他被指控强奸后婚姻破裂。他的妻子相信丈夫无辜，而检察官也同样坚信他有罪。 弗兰德饰演詹姆斯·怀特豪斯，一位雄心勃勃、魅力十足的初级部长，他一直分享妻子的福气。米勒饰演他的妻子索菲，毕业于牛津大学，育有两个孩子。她看似完美的生活即将爆发。多克瑞饰演凯特·伍德克罗夫特，一位专门从事性犯罪的刑事律师和御用大律师。她在自己的领域迅速崛起，刚刚接手了一桩百年罕见的案件。

故事发生在十八世纪末，珍妮（希拉里·斯万克 饰）本是含着金汤匙出生的贵族小姐，不料家道中落，家产和产业全部被夺走。跌下神坛的珍妮难免饱受欺凌和羞辱，但她默默承受着这一切，因为她知道，终有一天，她会亲手夺回失去的一切。 一次偶然的机会，珍妮结识了一个名叫罗昂（西蒙·贝克 饰）的男人。罗昂是一个没有多少能力，却对权力和金钱极度渴望的男人。珍妮利用罗昂的人性弱点，制定了一个精妙绝伦的计划。路易十六（西蒙·沙克尔顿 饰）只好打造了一条价值连城的项链，送给了自己深爱的王后（乔莉·理查德森 饰）。这条项链成了珍妮的目标。

怀疑她丈夫有外遇的女人跟踪他到他一直在装修的房子，却发现他已经死了。随着调查的展开，事情并不总是像看起来那样。[展开全部]　怀疑她丈夫有外遇的女人跟踪他到他一直在装修的房子，却发现他已经死了。随着调查的展开，事情并不总是像看起来那样。[收起部分]

Every human being has the right to know where they came from and where their family lies buried. Thi[展开全部]　Every human being has the right to know where they came from and where their family lies buried. This unshakable conviction is what drives Yuri Dmitriev (1956), who never knew his own biological parents. Deep inside the Russian forests, against the wishes of the authorities, 60-year-old Yuri Dmitriev searches for mass graves from the era of Stalin’s terror against his own people – until one day he is arrested and sentenced to 15 years in a penal colony. Following Yuri closely, the film paints a shocking picture of the way the Russian state rewrites history and treats its citizens. Thanks to Yuri, their next of kin finally find out what happened to their lost relatives, who were secretly executed here in the 1930s and left behind in pits. Amid the trees where these executions took place, a place of remembrance comes into being where, after decades of swallowing their profound grief, the surviving relatives can finally give free rein to it. Then one day, following an anonymous complaint, he is charged with taking pornographic pictures of his foster daughter. And arrested. While we follow Yuri’s life, archive footage brings the Stalin era and the 1990s to life – not as past history, but as an unresolved trauma deeply influencing contemporary Russia. Unexpectedly intimately, the filmmaker tells us a story we mainly know from afar: how a state rewrites history and what this means for its citizens. (源自: TIDF)[收起部分]